WaterReviewed by Nadya, 2009-10-25
Interesting title for a moving story...that must be why; it moves you to think about how grateful to be born a Westerner. Life as a widow can be painful as an adult imagine being a widow at eight and not even realise that you are. Well worth watching.
Insightful social commentary & thoroughly absorbingReviewed by z hayes, 2009-06-17
Deepa Mehta's "Water" is the final part of a trilogy of movies [the
other two being "Fire" and "Earth"]. All three explore certain
facets of Indian culture and are excellent social
commentaries.
In "Water", the film is set during the time of British Colonial
rule of India, known as the British Raj. The year is 1938, and
despite British rule, there is a prevalence of child marriages.
Many young girls are married off to much older men, and one such
unfortunate is Chuyia [Sarala Kariyawasam]. She is an
eight-year-old who has just been widowed and as per the custom of
the time, is packed off to a widow's ashram to spend her life
expiating her 'sins'. The other motivations for consigning the
widows to ashrams is to offset their families' financial
responsibilities and also alleviate the social stigma of having a
widow in the family [ widows are frequently seen a symbols of bad
luck, a perception that has lifted somewhat in contemporary Indian
society but not altogether dispelled].
The presiding authority over the ashram is Madhumati {Manorama] an
obese and completely ruthless lady who rules over the ashram with
the aid of a pimp, Gulabi [Raghuvir yadav],and a eunuch. In order
to keep the ashram functioning [apparently donations are
insufficient] and Madhumati well-fed, the old witch prostitutes one
of the ashram's residents, young widow Kalyani [an ethereally
beautiful Lisa Ray]. Because of Kalyani's economic importance, she
is the only one of the widows who is allowed to keep her hair [all
the others, including young Chuyia have their heads shorn]. Then
there is the literate widow [not many of the women can read]
Shakuntala [portrayed by the talented Seema Biswas] who is battling
her own inner demons.Shakuntala finds it hard to reconcile her
devout Hindu beliefs with the fact that she abhors being a widow.
Young Chuyia on the other hand, keeps thinking that she will be
eventually taken away from the ashram by her mother, having no clue
as to how dire her situation really is.
The story gets moving with the introduction of another character,
Narayan [John Abraham], a staunch follower of Mahatma Gandhi, and
who comes from an affluent and influential family. When Narayan and
Kalyani meet, sparks fly but both are very much aware of social
taboos which hold them back from each other.Kalyani begins to
refuse servicing clients, inciting Madhumati's anger. Narayan finds
a way to meet Kalyani and the pair make plans to get away, a secret
that Kalyani divulges to Chuyia. The young child accidentally
blurts out the secret to Madhumati and this sets the stage for a
series of tragic events.
Beautifully filmed, the story serves as a powerful social
commentary on the plight of widows in India as set during the late
1930s. Though widows are much better off in contemporary India,
their situation is still dire, with lives spent in poverty and
under oppression, primarily in the rural areas. With "Water",
director Mehta has given us a remarkably human story of substance
that lingers in one's consciousness long after the credits have
rolled.
WaterReviewed by Theresa Thakordeen, 2009-05-04
Most of the words in the sub-title were truncated, which made it
difficult to follow and you could not enjoy it. I wanted to
recommend this movie to friends, who are non-Indians, but won't. I
also wanted to buy copies to give as gifts but changed my
mind.
Thank you for giving me this opportunity.
T. Thakordeen
A masterpieceReviewed by JD, 2009-02-12
Well, to start with this is a movie set in the early 1940s in
India. It has a very powerful script that keeps you invloved till
the very end. The treatment of the charcaters is first rate,
equally matched by extremely strong performances.
Despite not exactly being a happy movie you are bound to see it a
few times to fully appreciate the work.
Everything is really good, the acting, music, direction, art
direction etc. You are really being transported to the 1940s India,
and are shown exactly the injustices that are beign inflicted on
the widows.
Its a must see.
touching movieReviewed by P. J. Singh, 2008-11-20
i watchedit with my husband and the movie was very sentimental and touching. a must see movie